Jack Carr's first James Reece novel,
Terminal List,
offered a lot of good elements wrapped together with atmospheric
missteps that made its ostensible hero tough to root for. The second,
True Believer, offered a dynamic turn-around, especially in its first third as Reece reflects on how far he was willing to go pursuing his
Terminal List
goals and whether or not he should have been. Carr took the time to let
his hero think through these things and gave him legitimate narrative
hooks to do so rather than just unreeling an exposition-heavy internal
monologue that invites reader skippage. Book #3,
Savage Son,
sends Reece out after some people who have brought about the tragedies
of his past, in addition to endangering his life now. Its high point --
Carr's homage to Louis L'Amour's
Last of the Breed with Reece infiltrating Russia on foot in pursuit of his enemies -- makes it another strong and focused series entry.
Which makes the misstep of
The Devil's Hand
so confusing. In twin timelines, a new U.S. president tasks Reece with a
supremely secret and supremely illegal mission because of his history
of doing whatever it takes for his country. At the same time, a
developing biological weapons plot from evil mullahs in Iran has a
diabolical twist in its middle to turn our nation's own defenses against
it.
Unfortunately, neither of these two lines brings new
material to their respective familiar tables. The hyper-covert
off-the-books Tough Guy Doing What Needs to Be Done No Matter What the
Rules Say is standard issue in this kind of book, and
Hand lacks
the personal connection to the mission that Reece had in the earlier
books. The Secret Sleeper Agent Who Fools Everyone Until Unleashing the
Weapon We Trained Him to Use is not that much rarer. The overlap between
them feels half-hearted at best, as if they were conceived as two
distinct stories.
The initial section, "Origins," sets up the
back story for the other essential characters to the overall plot, since
we already have Reece's own backstory. It slips in small scenes of
Reece and his developing relationship with Katie Buranek, as well as his
move from military door-kicker to CIA door-kicker and spy. Carr
continues to improve on this part of the storytelling, which he already
does well. But it also bogs down in near-biographical detail about a
confusing mess of people who don't play direct roles in the action or
who remain confusing when they do.
It also offers us what Jack
Carr believes is wrong with the world and U.S. foreign policy in several
regions, going back about four Presidential administrations. Jack Carr
is undoubtedly someone who through research, personal experience and
study knows a lot more about what really goes on in those sections of
the world than I do. His opinions about what's wrong with the world
might even be right. But since I don't personally know him and I didn't
pick up
Hand to learn what was wrong with the world, I don't
really care what those opinions are and having nearly a third of the
book weighed down with them almost kills it.
By tying the pontificating to plot backstory instead of ongoing narrative,
Hand
loses more momentum that it can fully regain once it gets going. The
second and third James Reece books are too strong to think that this
misstep is going to cripple the series, but
Hand drains the goodwill bank of more than its fair share and leaves a lot of lifting for book #5 to do whenever it arrives.